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The theaters of the future will be bigger and more beautiful than ever before. They will employ expensive presentation formats that cannot be accessed or reproduced in the home (such as, ironically, film prints). And they will still enjoy exclusivity, as studios relearn the tremendous economic value of the staggered release of their products.
The projects that most obviously lend themselves to such distinctions are spectacles. But if history is any guide, all genres, all budgets will follow. Because the cinema of the future will depend not just on grander presentation, but on the emergence of filmmakers inventive enough to command the focused attention of a crowd for hours.
These new voices will emerge just as we despair that there is nothing left to be discovered. As in the early ’90s, when years of bad multiplexing had soured the public on movies, and a young director named Quentin Tarantino ripped through theaters with a profound sense of cinema’s past and an instinct for reclaiming cinema’s rightful place at the head of popular culture.
Never before has a system so willingly embraced the radical teardown of its own formal standards. But no standards means no rules. Whether photochemical or video-based, a film can now look or sound like anything.
It’s unthinkable that extraordinary new work won’t emerge from such an open structure. That’s the part I can’t wait for.
Christopher Nolan, “Films of the Future Will Still Draw People to Theaters”. (via fuckyeahdirectors)
A vampire has written: ‘The great asymmetry between immortals and werewolves (apart from the obvious aesthetic asymmetry) is that whereas the vampire is elevated by his transformation the werewolf is diminished by his. To be a vampire is to be increased in subtlety of mind and refinement of taste; the self opens the door of it’s dismal bedsit to discover the house of many mansions. Personality expands, indefinitely. The vampire gets immortality, immense physical strength, hypnotic ability, the power of flight, psychic grandeur and emotional depth. The werewolf gets dyslexia and a permanent erection. It’s hardly worth making the comparison…’ For all of which you can read: Werewolves get to have sex and we don’t.
The Last Werewolf- Glen Duncan